I have been playing with music production software ever since I downloaded a trial version of Cool Edit way back in high school. It was kind of clunky, but I absolutely adored it. I suddenly had a strong program in my hands that could do all sorts of musical things that I had never imagined possible.
I was able to synthesize my own tones, give them different ambiances and effects, layer various tracks on top of each other, play things backwards – you name it. By the standards of today’s best music production software, it wasn’t incredibly powerful, but at the time it definitely blew me away.
Producing music was a dream of mine at the time. I even contemplated going to college to begin a music industry career. One of my siblings was heavily involved in the music business as a local performer in LA.
Although he wasn’t truly making a career out of it, he did have a nice tidy supplementary income from his shows. I didn’t have the skills to become a musician, but I did have an ear for music. I could take a great track and make it better – a skill that music producers need.
I decided to invest in some serious music production software program by the time I left high school. I was a realist.
Although the technology wasn’t quite up to what it really is right now, I still knew that music production programs were the wave of the future.
Purchasing racks and racks of studio equipment was prohibitively costly – particularly for a beginner sound recording engineer like myself. The software for music production cost several hundred dollars, but this was nothing compared to the costs of good sound recording equipment.
What I didn’t realize at the time was how many different types of music production software programs there are, and how different the outcomes were among them. An average music production program could run from 50 dollars to 500, I know to have the same features.
Some had been basically music recording and mixing programs, developed to do several tracks and clean up the sound quality. Others were developed for electronic music recording artists.
They had music sampling, innovative effects, and MIDI capabilities. I slowly realized that if you wanted to be a recording engineer, you needed to have one of everything and be able to do it all.
You could not very well have someone come into your recording studio and not in a position to access the equipment he necessary. I decided to learn it all.
So, I did my research and examined rock artists and radio rock online by searching: rock music listen.
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